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The Vans Toddler Old Skool V incorporates the classic V skate shoe into a functional design. The velcro closure makes for an easy removal process, while the canvas and suede upper provide a secure fit. Padded collars are placed for additional support and flexibility. The rubber waffle outsole completes the look. Canvas suede upper Velcro…
Double vinyl LP pressing. 2018 release, the debut album from 22 year-old South-East Londoner Tom Misch. Tom s music is an intrepid and invigorating adventure in sound, bursting with inventiveness. This highly talented, multi-instrumentalist has built an auspicious online fanbase and has earned the reputation as one of the best UK producers! Tom has self-released…
Originally released in 1979, Tom Petty and the Heartbreakers classic album, DAMN THE TORPEDOES, has been remastered for this re-release. Produced by Petty and Jimmy Iovine, the album catapulted the band to arena performances, where they played such classic cuts as the infectious Top 10 Don t Do Me Like That, blistering rockers Refugee and…
Tom Petty left the Heartbreakers behind, hooked up with musician, writer, and producer Jeff Lynne, and rocked out with Runnin Down a Dream, got mellow and introspective on Free Fallin and A Face in the Crowd, and paid tribute (finally) to the Byrds with a cover of Feel a Whole Lot Better.
Damn The Torpedoes is the RIAA triple platinum-certified third album by Tom Petty and the Heartbreakers. It was released to critical acclaim in 1979, and was a breakthrough for the band reaching #2 on the Billboard album chart where it stayed for seven weeks. Featuring the singles Don t Do Me Like That , Refugee…
1 The Waiting2 A Woman in Love (It s Not Me)3 Nightwatchman4 Something Big5 Kings Road6 Letting You Go7 A Thing About You8 Insider9 The Criminal Kind10 You Can Still Change Your Mind
Tri-fold sleeve includes a 4-page insert. Tom Petty & The Heartbreakers famously played 20 nights at the legendary Fillmore venue in San Francisco in 1997. 6 of the shows were professionally recorded and this release features some of the high points of the residency. The small venue allowed the band to vary their sets each…
Southern Accents is the sixth album by Tom Petty and the Heartbreakers. It was released on March 26, 1985 and reached #7 on the Billboard 200. The albums lead single, Don t Come Around Here No More was co-written by Dave Stewart of Eurythmics (who also produced the album) and the track peaked at #13…
First Career-Spanning Tom Petty Retrospective Features 38 Recordings Including 2 Previously Unreleased Tracks, All Remastered From Pristine Transfers Of the Original Studio Multi-Track Masters The Best Of Everything is the first career-spanning collection of all of Tom Petty s hits with The Heartbreakers, his solo work and Mudcrutch. The 38-track set also features two previously unreleased tracks: the poignant and autobiographical…
Tom Petty And the Heartbreakers, the Last DJ follo ws their 2002 induction into the Rock and Roll Hal l of Fame, and marks the lastest chapter in the nevr-ending story one of rock s greatest bands.
What makes Mojo special is that it was recorded live in the band’s legendary rehearsal space, ”The Clubhouse” in Los Angeles. There are no over-dubs or studio trickery. What you hear is what Tom and the Heartbreakers created live at that time. In 2010, Tom Petty said, “With this album, I want to show other people what…
Greatest Hits is the biggest selling title in the band s illustrious catalog, with sales surpassing twelve million copies since it s release. The album contains nineteen classics including American Girl, Refugee, Don t Come Around Here No More and many others. The collection also features the singles from Tom Petty s solo album Full…
Originally released in 1981, Genuis of Love is the Tom Tom Club s timeless classic track that s been sampled by such artists as Mariah Carey, Grandmaster Flash & The Furious Five, 2 Pac, Public Enemy, Busta Rhymes, Redman, Ice Cube and most recently, Latto. The song was written and performed by Talking Heads founders…
The Talking Heads spawned a number of worthy side projects and spinoffs—David Byrne & Brian Eno’s My Life in the Bush of Ghosts, Jerry Harrison’s The Red and the Black—but none were as funky, danceable, and flat-out fun as Chris Frantz and Tina Weymouth’s Tom Tom Club. Conceived as something of a larkish break from…
With 12 Page Book. His first studio album in seven years finds Tom Waits in possibly the finest voice of his career and at the height of his songwriting powers. Bad As Me displays the full career range of Waits songwriting, from beautiful ballads to the avant cinematic sound scape. There is a pervasive sense…
Bawlers, on the surface, is every bit as soothing as Brawlers is abrasive. But for all the gentle piano and brass embellishments, the mood is far from serene, inhabiting the bittersweet, sentimental borderline between a bender and hangover. Given that this sound goes back to Waits earliest days, the timeframe is wider here than elsewhere…
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